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Up in Flames

Description

Second album from Dan 'Manitoba' Snaith. For fans of Boards Of Canada, Eno & Aphex Twin. Domnio. 2003.

Reviews

Rating: 5 / 5
Date: 2005-09-28
Summary: "Manitoba/Caribou will never stale."

This is Manitoba/Caribou's second album, and it is not disappointing. For anyone familiar with Manitoba's first album, it might at first shock the listener with just how different this album is, but then again, anyone familiar with the first album should be aware that Dan Snaith (the genius behind it all) is all about defying expectations. (And his third album is nothing like "Up in Flames" or "Start Breaking my Heart.")
This album is not as immediately accessible as the first one, but it has a soul that is very worth getting to know. The songs often rock in an almost Neutral Milk Hotel kind of way, and yet the the use of handclaps and kicky beats is unprecedented, and the organic use of xylophone is astonishingly happy, especially in the song "Crayon," which starts as a bright, instrumental xylophone piece and becomes a New Order/Joy Division celebration.
This album is perfect for listening to as you drive dirt roads late at night. All Manitoba/Caribou is. Every album of theirs is so different from the others, yet there's always that certain something that you can recognize in the core of it. ...Like seeing an old friend who's really grown into someone new and amazing, yet is still the same old pal you ditched school with.
Accept "Up in Flames" as something new and different, love it for the wonderful thing that it is, and keep an eye out for whatever Dan Snaith does next. It's bound to be good.

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Rating: 5 / 5
Date: 2005-08-20
Summary: "mutten skewers oregano"

I picked up this import in Osaka Japan because of the bonus CD which turned out to be the most amazing part of the package. There is a tack titled "Cherrybomb Part II" and if this isn't one of the most colossal tracks in the history of electronic experimentation then you just ate poo. It almost makes me cry everytime I listen to it. I am listening to it now and I'm on the verge of tears.

Unfortunately I found the rest of the album to be lacking. I found it nothing like the amazing Boards of Canada albums. In short, I was disappointed. The tracks are generally too fruity and fluffy for my tastes, or just plain uninteresting with the above exception and a couple other anomalous keepers. This album will not take you to quadrant six, sector 4. It will take you to quadrant fart, sector bum.

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Rating: 3 / 5
Date: 2005-05-08
Summary: "from the perspective of ignorance"

This is Dan Sniath's second album that is so completetly different compared his previous effort you'd think it was a different artist. I haven't heard Start Breaking My Heart so there'll be no compariosons here. I should also add that genreally speaking I like my music a little dark and towards the heavy end and that I'm not well versed in the 1960's or psychadelia. Consequently rather than reviewing tracks I've simply listed a series of word that come into mind when listening to this record- pretty much because I can't adequaltely review this record (i'd like to have included song references in my world list alas...)

I've lived on a dirt road all my life- bird calls, whispering vocals
Skunks- crickets, jazz improve saxaphone
Hendrix with ko- toe tapping, hand claps
Jacknuggeted- simple guitar chords, childlike hummings,
Why the long face- ???
Bijoux- raining chimes, folk rock, bah bah bahhhh bah bah bah and some violins at the end
Twins- a couple of guitar chords followed by drums from a high school football game (WOW!!!)
Kid you'll move mountains- flutes floating in the atmosphere, shimerring vocals, video game sounds
crayon- child giggles, xylophones, dogs barking and old school electronic effects
Everytime she turns round it's her birthday- vocally the strongest track, hummings and hand claps, jazz, silence

Up in Flames is founded on psychadelic shimmerings complete with hand claps, glockenspiles and animal sounds. I guess if you're going to label it you could try folktronica but which has recently come in for some stock by the stylus magazine people. Hope fully you've got a sense from my 'descriptions' that this album is composed of some wierd and wonderful instruments. The vocals are not a strong point of the album but the instrumentation is fascinating and there are some really melodic omoments. There's also a couple of pop-folk- toe tappers which are great- Hendrix with Ko for instance. I imagine if you like this record you'd probably have some Animal Collective records, mabye Boards of Canada, some psychadelic pop records. I didn't intially like it but know I think it's pretty good.

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Rating: 5 / 5
Date: 2005-05-07
Summary: "This Album Sounds Like..."

.......Laying on your back in a field of crayola-green grass, staring at the clouds and noticing the river and mountains behind it, and feeling the ground spinning beneath you, then getting up and walking down a path through the woods that, you soon notice, has golden writing on it, and then you see one of your best friends and shes smiling and you're smiling (zonked!) and so you and her and your other friends pile into the car and leave the park........and then you're driving and a record is playing and the trees are flying by and so are houses...

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Rating: 2 / 5
Date: 2004-12-27
Summary: "Pleasant enough semi-electronic meanderings"

What's here is all pretty listenable `twisted' psychedelia. I can't quite fathom the logic of those who place among `best albums' though. I would really rate it about 3 & ½ stars, but feel it is currently rated too highly overall and 39 minutes is slim pickings for a full-price CD.

The best tracks for me are:

- `I've lived on a dirt road all my life' - full of life, with shimmering floaty lyrics - a good opener
- `Skunks' - warped - jagged sax snatches and eerie synth themes complementing a jaunty beat. Fabulous
- `Jacknuggeted' - minimalist intro, morphing in a number of ways before deconstructing and dissolving into the ether
- `Kid you'll move mountains' - a bit like Jesus and Mary Chain on Prozac - strangely engaging
- `Crayon' - a joyful, bubbly and captivating little tune - definitely the album highlight; which flows effortlessly into:
- `Every time she turns round it's her birthday' - shimmery synth washes around Brit-pop-like fuzzy vocals - a warm and vibrant way to end a good, though not great, album

A few of the other tracks are a bit forgettable. This is an album best listened to on headphones, as there is a lot of inner detail you could miss otherwise.

Don't be fooled into thinking this is an electronica album - far from it! I was sucked in by others' rave reviews and Amazon's `people who bought this also bought...' recommendations. It is just reasonably engaging psychedelia, inventive and easy to listen to.